Rebecca Solnit: “A sentence is a road and reading is traveling”
This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path in the terrain of the imagination, or to point out new features in a familiar route. To read is to travel through that terrain with the author as guide—a guide one may not always agree with or trust, but who can at least be counted upon to take one somewhere. I have often wished that my sentences could be written out as a single line running into the distance so that it would be clear that a sentence is likewise a road and reading is traveling…. Perhaps those Chinese scrolls one unrolls as one reads preserve something of this sense. The songlines of Australia’s aboriginal peoples are the most famous examples conflating landscape and narrative. The songlines are tools of navigation across the deep desert, while the landscape is a mnemonic device for remembering the stories: in other words, the story is a map, the landscape a narrative.
— from Wanderlust: A History of Walking by Rebecca Solnit